Categories
-
0 Can Record Store Day Save a Sinking Ship?
- Commentary
- by Kingsley H. Smith
- 04/15/2010
Album sales are down 6.1 percent in the first 3 month of 2010 compared to the same period in 2009, according to Nielsen SoundScan. They add that for the first time, iTunes and CD sales online have passed the traditional big box retailers. Amazon and their digital brethren now make up the largest distribution channel for music, and for good reason. Big boxers like Walmart, Target, and Best Buy have dropped the ball when challenged with stocking a satisfactory variety of the newest music being released. You'll always find the A-list performers in their racks, but you are hard pressed to find a deep selection of new music representing a variety of artists from different niche genres. Jazz, soul, and R&B are frequent victims of this trend. Bookstores including Encore and Barnes and Noble do a better job stocking tunes, but as with the big box stores, music sales no longer represent a growth area. The digital music download world is hurting too. Nielsen SoundScan says that downloads experienced their first year-to-year quarterly sales decline ever, falling about 1 percent between January 1 and April 4. In the same period in 2009, digital download sales were up 13 percent over 2008. CD's will eventually go the way of the horse and buggy, just as electric vehicles will slowly take market share from gas engine cars. Computers inevitably crash, and unless you back everything up, there's still a better element of permanency when investing in compact discs. The CD for many is still an important part of their music collection. Once upon a time, the best place in town to salivate over new releases and bountiful catalogs was the record store. I worked in an independent record store for 3 years part-time as a teenager. Today, only the bigger cities can still support the few independent record emporiums that are left. In Philadelphia, my favorite is Sound of Market Street, surviving in 2010 with an awesome collection of CD's (and vinyl discs). ----- 2022 Update: Sound of Market Street finally closed in 2014 after 30 years in business. ----- A worldwide event has been created to spotlight stores just like Sound of Market (JazSound). Saturday, April 17 will mark the 3rd annual Record Store Day. RecordStoreDay.com says that the original idea for this promotion was "conceived by Chris Brown, and was founded in 2007 by Eric Levin, Michael Kurtz, Carrie Colliton, Amy Dorfman, Don Van Cleave and Brian Poehner as a celebration of the unique culture surrounding over 700 independently owned record stores in the USA, and hundreds of similar stores internationally." The website further amplifies the concept explaining "this is the one day that all of the independently owned record stores come together with artists to celebrate the art of music." "Special vinyl and CD releases and various promotional products are made exclusively for the day and hundreds of artists in the United States and in various countries across the globe make special appearances and performances." Record Store Day is now celebrated on the 3rd Saturday every April. At RecordStoreDay.com, I did a random 'search by state' to see what was happening in Texas. Over 50 independent record stores came up in the Lone Star State, so there still is a heartbeat left in this disappearing institution that's now on life-support. Previous Post | Next Post
-
0 Smokey Robinson Writes the Mighty Classics
- Commentary
- by Kingsley H. Smith
- 03/23/2010
You know you're a great song writer when your catalog of melodies includes hundreds of compositions. At last count, Smokey Robinson had over 460 songs registered in the official online song databases as author (or co-author). Without Smokey, how would Motown have had all of those early hits? Let's not even mention the scores of artists who have covered his songs. "Ain't That Peculiar," Marvin Gaye and George Clinton. "My Girl," the Temptations and the Whispers. "Tears of A Clown," the Miracles and Shalamar. One of your all-time favorites might just be a Smokey Robinson song. When it comes to love and romance, the pen of 'Bill' William 'Smokey' Robinson is number one. Previous Post | Next Post
-
0 Sharon Jones takes the Long Road to SXSW in Austin
- Commentary
- by Kingsley H. Smith
- 03/04/2010
The annual Austin, Texas music extravaganza, SXSW, (South by Southwest), will draw dynamic acts from all over the globe for the March 17 - 21 (music week), 2010 showcase. 1987 was the first SXSW in Austin, a unique music city that mixes jazz, blues, rock, country, & folk. This Texas town claims to have "more original music nightclubs in a concentrated area than any other city in the world." One group getting a lot of attention this year is Sharon Jones & the Dap-Kings, who will perform Wednesday evening, March 17. Within some music circles, the R&B authenticity of Sharon Jones & the Dap-Kings is hotly debated. Without question, Sharon's soulful delivery is genuine. Are the Dap-Kings the second coming of original instrumental virtuosity on par with Booker T. & the MG's (Memphis), The Funk Brothers (Motown), or MFSB (Philadelphia)? No, if that's what you're looking for. I'd argue that Jones & company have fused these influences to produce a contemporary neo classic soul sound that doesn't necessarily mimic the expectations of past legacy styles. When you have a diverse ethnic mix of musicians in a group, fresh sounds are often invented. People who have seen Sharon Jones & the Dap-Kings rave about their intense live show. It's also rare for a performer to jump into the music game after the age of 40, and achieve the success Sharon has earned. You've heard the sound of Sharon Jones & the Dap-Kings in these movies: Soul Men (sound track), Up in the Air, American Gangster and The Great Debaters. If you won't be in Austin for SXSW, here's the current international tour schedule for Sharon Jones & the Dap-Kings: Friday, March 26, Snoe.down Festival - Rutland, VT Saturday, April 10, Astra - Berlin, Germany Tuesday, April 13, Trabendo - Paris, France Wednesday, April 14, Koko - London, UK Thursday, April 15, Paradiso - Amsterdam, Netherlands Saturday, April 17, Wanee Festival - Live Oak, FL Thursday, April 22, Festival Internationale de Louisiane - Lafayette, LA Friday, April 23, The Howling Wolf - New Orleans, LA Saturday, April 24, Double Decker Festival - Oxford, MS Friday, April 30, Apollo Theater - New York City, NY Saturday, May 1, Apollo Theater - New York City, NY Thursday, May 6, Lewis Ginter Botanical Garden - Richmond, VA Friday, May 7, Ram's Head Onstage - Annapolis, MD Saturday, May 8, Jefferson Theater - Charlottesville, VA Sunday, May 9, The NorVa - Norfolk, VA Tuesday, May 11, Cat's Cradle - Carrboro, NC Wednesday, May 12, Orange Peel - Ashesville, NC Thursday, May 13, Center Stage - Atlanta Atlanta, GA Friday, May 14, Cannery Ballroom - Nashville, TN Saturday, May 15, Nelsonville Music Festival - Nelsonville, OH Monday, May 17, The Southgate House - Newport, KY Tuesday, May 18, Majestic Theatre - Detroit, MI Look for the new Sharon Jones & the Dap-Kings collection, I Learned the Hard Way, their 4th album, scheduled for release on Tuesday, April 6th, 2010. Previous Post | Next Post
-
0 Beyonce Dominates the Grammy Awards
- Commentary
- by Kingsley H. Smith
- 02/01/2010
The big story at the 2010 52nd annual Grammy Awards was Beyonce's dominance with 6 new trophies, but there were some other interesting musical moments. For instant gratification, the opening performers usually hit some high notes, and that's what Lady Gaga & Elton John did. The Grammy show is not for you if you have a short attention span, as you have to sit through the dull moments to experience the true gems of the evening during the three and 1/2 hour marathon. After Celine Dion, Usher, Jennifer Hudson, Smokey Robinson, and Carrie Underwood performed Michael Jackson's "Earth Song," 2 of Michael's children accepted a lifetime achievement award with short, moving comments. Jamie Foxx and T-Pain, who won for Best Rap/Sung Collaboration (with Kanye West who did not perform), brought some energy and excitement to the evening (that often dragged along). Hats off to The Dave Matthews Band for an impressive well played set. Best act introduction: Quentin Tarantino bringing on the most bleeped performance of the night: Eminem, Lil Wayne, and Drake. Come on guys! You are on rated G TV. Beyonce' has come a long way. Anyone who can win in such broad musical categories can take comfort in knowing that they've arrived - big time. Beyonce's Grammy Awards: Song of the Year - "Single Ladies (Put A Ring On It)" Best R&B Song - "Single Ladies (Put A Ring On It)" Best Female R&B Vocal Performance - "Single Ladies (Put A Ring On It)" Best Traditional R&B Vocal Performance - "At Last" from Cadillac Records Best Female Pop Vocal Performance - "Halo" Best Contemporary R&B Album - I Am...Sasha Fierce Previous Post | Next Post
-
0 5 Soulful Favorites Touch 2009
- Commentary
- by Kingsley H. Smith
- 12/10/2009
Although the sun has set on the golden age of classic soul, the sprit of the music continues to live on with new tracks that embrace the tradition. Every year, there are always great examples of very good new music. In order, here are my 5 soulful 2009 favorites: Beyonce' - "Single Ladies (Put A Ring On It)" - This could have been a Destiny's Child track. Simple rhythms, a fabulous hook, and a razor sharp contemporary message. It's brilliant pop music that grows on you. Michael Jackson - "This Is It" - Somewhat ignored by radio, this track is delightful, reminding us that we've lost an amazing prodigy. Mariah Carey - "I Want To Know What Love Is" - A talent takes a good song and makes it great. This Foreigner classic has been given a memorable dramatic reading as well as a breath of fresh air. Lionel Richie - "Just Go" - He didn't write most of the songs this time around on his latest album, however , Lionel Richie maintains his mass appeal star power with this strong performance. Whitney Houston - "I Look To You" - Last, but not least, two thumbs up for Whitney Houston, who has come back from despair to share her soul through this charming, but somewhat formulaic, new and appealing ballad. Previous Post | Next Post
-
0 Michael Jackson Wake - Thriller and Bad
- Commentary
- by Kingsley H. Smith
- 06/30/2009
Yes the abundant coverage of Michael Jackson's tragic death will eventually end. Among what I've watched, read, or listened to in several U.S. cities (and from around the world) over the past few days, here's a highlight and low light: Thriller: Donnie Simpson's excellent radio interview with Smokey Robinson on Washington D.C.'s WPGC. Bad: O'Jay Eddie Levert dropping the "s" bomb during the group's lifetime achievement acceptance remark at the BET Awards/MJ tribute program. What's one thing you have liked and/or have disliked about the coverage of the Michael Jackson tragedy? Leave a comment. Previous Post | Next Post
-
0 2009 BET Awards Build some Buzz
- Commentary
- by Kingsley H. Smith
- 06/23/2009
The O'Jays are saluted with a Lifetime Achievement Award, and both Alicia Keys and Wyclef Jean receive humanitarian honors during the 2009 BET Awards scheduled for this Sunday, June 28th. Just one airing can't do, so look for multiple repeats of this television special in the coming weeks. Nominees for the Best Female R&B Artist: Beyonce' Keyshia Cole Keri Hilson Jennifer Hudson Jazmine Sullivan Rihanna, where are you? Nominees for the Best Male R&B Artist: The-Dream Jamie Foxx Ryan Leslie Ne-Yo T-Pain John Legend and Chris Brown, where are you? BET needs to add a legacy award for the R&B category. It's done in the Grammy Awards. 2008 saw many very good traditional releases, including Labelle's Back To Now, and the Soul Men movie soundtrack. Is jazz dead? The BET Awards could be well served to give this genre the spotlight it deserves. Jazz is an excellent live performance platform. BET could help spark some interest in this particular craft of musical expression by exposing it to the hip hop generation. Previous Post | Next Post
-
0 Bobbi Humphrey Puffs Flute Power Passion
- Commentary
- by Kingsley H. Smith
- 04/14/2009
When you are the first female artist signed to the legendary Blue Note Records, the expectations are huge. Bobbi Humphrey did hit the high note, cultivating a string of successful albums injecting R&B roots into a container of smooth contemporary jazz. She never had a breakthrough hit single, but it didn't matter. Her excellent body of work stands the test of time. As with most diverse musicians, Bobbi worked with the best, including Stevie Wonder for the memorable track "Home Made Jam." After a 6 album run with Blue Note (beginning in 1971), she moved to Columbia Records (Epic), where the pressure for a more commercial vibe dominated the shifting style of her music. Visit the official Bobbi Humphrey Blue Note website. I have a lost audio interview I did with her way back when that I hope to find one day deep inside of the Powerhouse Radio archive! Previous Post | Next Post
-
2 Unique Musique Banned in Boston
- Commentary
- by Kingsley H. Smith
- 03/25/2009
Musique's 1978 dance hit "In The Bush" psyched out a lot of people who select radio station songs due to suggestive lyrics that seem mild today. The hook laden refrain "push push in the bush" caused manager imaginations to run wild, even though there wasn't one real naughty word in the entire song. Earlier in the same decade the word "crap" was edited out of Paul Simon's song "Kodachrome" before some radio stations would play it. With such sensitivity by radio people not to offend local "community standards" among rabbit eared listeners, the hesitation to play "In The Bush" was not a surprise. No station wanted a listener to complain to the Federal Communications Commission. The original Musique featured Jocelyn Brown, Angela Howell, Gina Tharps, and Christine Wiltshire on Keep On Jumpin'. Pictured here are their replacements, Mary Seymour, Denise Edwards, and Gina Taylor, who were featured on the 2nd album, Musique II. Previous Post | Next Post
-
0 Grammy Spectacular Struts Live Stuff Center Stage
- Commentary
- by Kingsley H. Smith
- 02/09/2009
Have the Grammy Awards discovered a new magic formula?...bury the awards and spotlight the music? Their 51st annual extravaganza at the Staples Center in Los Angeles was front loaded with lots of live music, and very little of the less than compelling award show dribble that usually interrupts the pacing of the live performances that highlight this television event. But hey, it's an awards show right? After an energetic opening from U2, Whitney Houston presented Jennifer Hudson with her best R&B Album of the year Grammy Award (Hudson, record executive Clive Davis, and Houston are pictured left to right). You may have thought you were watching a live concert for the first 90 minutes, happily replacing the sometimes boring dialogue accompanying many of the formulaic Grammy presenters and winner acceptance speeches. The show was improved this year by the Hollywood stars who teamed up with the musician presenters to frame the introduction of each specific award. Actors have the skill to sell those adlibs just a little bit better reading the scripted introductions rather than musicians who fumble when eyeballing their television teleprompter lines. Clearly, the inter-genre collaborations keep this program from being totally predictable. Cold Play with Jay-Z, Stevie Wonder with The Jonas Brothers, or Al Green with Justin Timberlake made for some inventive musical television. If you could only take about the first 2 hours of the Grammy marathon, you were rewarded with several interesting sets featuring some very good performances. Previous Post | Next Post


